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Industry leading pioneer of innovative power solutions will debut a series of new products for pocket video cameras marketed by Flip, Kodak, Samsung, JVC, Sony and others at Tech Suite 108.

AVENEL, NEW JERSEY February 8, 2010 — Asserting that today’s pocket video camera buyers are looking for power solutions as flexible and innovative as the cameras themselves, Mizco International’s DIGIPOWER Division will take the wraps off its new line up of uniquely designed, high performance P-CAM power chargers at PMA 2010 in Tech Suite 108 at the Anaheim Convention Center. In doing so, DIGIPOWER Division President Maurice Mizrahi pledged to lead the industry in developing power solutions that meet the needs of the rapidly growing and expanding market.

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< ![endif]-->“Charging power may not sound sexy but it is critical to the performance of today’s pocket video cameras,” Mizrahi emphasized today. “The power solutions developed for these products must be flexible, multi-functional, and durable if they are to stand up to the requirements of pocket video camera consumers. These consumers don’t want to have to think about power. They just want it to be available whenever and wherever they need it and that’s the philosophy we brought to the design of our new products.”

Dedicated Power Solutions for Dedicated Flip Video Consumers:

According to Mizrahi, the DIGIPOWER Division is introducing a dedicated Flip Battery & Charger Kit (PK-PD1W), a stand-alone NIMH 2300mAH Flip Rechargeable Replacement Battery (BP-PD1W) and a Flip Ultra Series Battery Charger (TC-PD1W).  All three power solutions are available for immediate delivery to dealers at the respective suggested retail prices of $39.99, $19.99, and $29.99 — price points that promise to make all three models powerful sales performers for retailers.

Powerful Charging Solutions for All Brands of Pocket Cameras:

Looking to power the entire category of pocket cameras, Mizco’s DIGIPOWER Division is also introducing wall, car, and wall/car kit chargers that are compatible with every brand of P-CAM camera currently available on the market.  The new ACD-PCAM Wall Charger is a 1 Amp AC adaptor for all Flash USB video cameras that is available for a suggested retail price of $19.99.  Also available for the same MSRP is the new PC-PCAM Car Charger, a 1 Amp CLA for all Flash USB video cameras.  The IP-PK10 Wall & Charger Kit includes the wall and car chargers as well as a 2-camera sync cable and is available for a suggested retail price of $34.99.

A Hybrid Power Solution for All Types of Mobile Devices:

For consumers seeking ultimate power and flexibility for all of their mobile devices, DIGIPOWER now offers its Hybrid 2-In-1 Wall Charge & Battery Back Up (EBP-PCAM)— a 110-240 multi-volt worldwide power supply solution (works in over 150 countries) featuring a powerful Lithium-ion battery.  This remarkable AC wall charger features 2 USB ports that can charge two devices simultaneously.  Carrying a suggested retail price of $49.99, the unit also includes a portable 1800Mah battery pack that can be used when a wall outlet is not available.  The built-in battery stores up to 3 “on the go” charges and is the ultimate power solution for all mobile phones, PDAs, MP3 players, cameras, Bluetooth® headsets, GPS systems, and hand-held game systems.

Finally, for the truly “on the go” mobile device enthusiast, DIGIPOWER now offers its JumpStart Lifestyle Travel Charger (JS-2PCAM) — a 2200mAh portable battery with universal USB output, connectors, and carry case.  The JumpStart Lifestyle Travel Charger will stay charged for up to 10 months and can be recharged 500 times to power every make and kind of mobile device from phones to pocket cameras.  The unit is available for a suggested retail price of $49.99.

“Wherever consumers need portable power to power their increasingly mobile lifestyles, DIGIPOWER will be there with the solution that works best for them,” Mizrahi asserted.  “This is the commitment to innovation that has made us the industry’s leading supplier of power solutions for over 11 years.”

Headquartered in Avenel, New Jersey, Mizco International (www.mizco.com) is one of the world’s fastest growing suppliers of wireless mobile phone headsets, accessories, as well as imaging and iPhone power solutions.  Founded in 1990, Mizco markets products under the Cellular Innovations, DIGIPOWER, and Travelocity, and iEssentials brands.  The company currently offers more than 1000 products through a global dealer network.  For more information on Mizco and its product offerings call 1.800.266.4026 or visit www.mizco.com.

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ImagingInsider.com

Peter K. Burian reviews the Nikon 70-200mm f/2.8G AF-S ED VR II lens that is “improved.” Burian finds this lens that Nikon gave a name longer than sin to be one of the very best available…
(image via nikon usa)

Read More…

Source: Photocrati via ImagingInsider.com

New PowerShot SX210 IS and ELPH Cameras Offer Improved Features For Increased Image Capture Control

LAKE SUCCESS, N.Y., February 8, 2010 – Canon U.S.A., Inc., a leader in digital imaging, today announced the addition of four new PowerShot Digital cameras, the PowerShot SX210 IS, PowerShot SD3500 IS, PowerShot SD1400 IS and PowerShot SD1300 IS, offering today’s photographer a compelling blend of cutting-edge photo capture technology and superior styling. The new PowerShot cameras offer increased shooting flexibility in a number of settings through advancements to the Smart Auto mode while offering greater photo personalization and enhanced creativity with new Scene Modes and Image effects. The addition of Fish-eye and Miniature Effect modes help photographers add a creative element or lend a humorous look and feel when capturing images of their favorite household pet or landscape scene.

  

From untimely blinks and awkward smirks to hard to shoot back-lit situations, the compact PowerShot SX210 IS, PowerShot SD3500 IS and PowerShot SD1400 IS cameras offer a variety of technologies to secure the best pictures under the most challenging conditions. In addition to the Face Detection self-timer, the new Smart Shutter scene mode now has Smile and Wink self-timers where the camera looks for a wink or smile which will act as the trigger and release the camera’s shutter.

The advances to Canon’s Smart Auto mode increases the number of shooting scenarios where each PowerShot camera can automatically adjust to different lighting or movement levels to obtain the best image possible. In addition, Canon’s Smart FE (Flash Exposure) function improves image quality by automatically adding the optimum level of flash illumination, aperture, ISO and shutter speed while the Low Light Mode features a wide ISO range (up to 6400), allowing more light to be captured creating sharper more vivid images and further enhancing the overall quality.

“The new Canon PowerShot Digital cameras are designed for consumers seeking a blend of eye-catching style and advanced image capture technology in a compact, easy-to-use form,” said Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. “Offering a unique blend of features and functionality including new Scene Modes, Smart FE and Smart Shutter, Canon once again brings image-taking and personal photography expression to new levels.”

For users interested in expanding beyond still images, three of the four new PowerShot cameras announced today have the ability to shoot 720p High Definition (HD) video offering extraordinary resolution and clarity when capturing moments such as a child’s dance recital or the latest trip to the local zoo. Also, the built-in HDMI mini-connector allows play-back of video and photos on an HDTV. With the camera tethered to a computer and the included software, movies can be uploaded directly to YouTube via the Camera Window. To further enhance a users ability to capture images and video, all of the new Canon PowerShot Digital cameras will support the high-spec SDXC memory cards with a maximum storage capacity of two terabytes (TB) in SDA standard.

Canon PowerShot SX210 IS Digital Camera:
The Canon PowerShot SX210 IS is designed for the photographer seeking HD video and brilliant image quality in a stylish, compact camera. Featuring a 28mm wide-angle lens with 14x Optical Zoom and Optical Image Stabilization, the PowerShot SX210 IS allows users to capture dramatic close-ups or broad landscapes with ease, while the 14.1-Megapixel resolution ensures stunning image quality. Available in three bold color variations, black, purple and gold, additional features include a 3.0-inch wide LCD screen for improved visibility and glare reduction with enhanced Control Dial with Hints and Tips. For shooting video, the PowerShot SX210 IS has the ability to zoom optically, shoot in stereo sound and has Dynamic Mode Image Stabilization for improved image clarity. Users embracing the freedom of wireless data transfer can connect directly to PCs through Eye-Fi memory cards1. The PowerShot SX210 IS is scheduled to be available in late March for an estimated retail price of $349.99.

Canon PowerShot SD3500 IS Digital Camera:
The Canon PowerShot SD3500 IS represents a significant milestone in the evolution of the ELPH series through the combination of superior image capture functionality and Canon’s touch screen technology. The camera’s large 3.5-inch wide LCD touch screen enables intuitive operation as users can customize their photo settings by simply dragging icons to their preferred on-screen location, then utilizing “tap” operations to switch between images during playback. A 24mm ultra-wide angle lens with 5x Optical Zoom gets more in your shot, like that family vacation at the Grand Canyon or the Empire State Building while Optical Image Stabilization ensure blur free images at full telephoto. The 14.1-Megapixel resolution delivers stunning images and the HD quality video further adds to the overall allure of this new PowerShot Digital camera. Available in three elegant color variations, black, silver and pink, the PowerShot SD3500 IS is also compatible with Eye-Fi memory cards for wireless transfer of video and photo files to PCs1. The PowerShot SD3500 IS is scheduled to be available in late February for an estimated retail price of $329.99.

Canon PowerShot SD1400 IS Digital Camera:
The Canon PowerShot SD1400 IS is the ideal choice for the on-the-go, spontaneous photographer seeking outstanding performance in a super-slim camera. Measuring less than one inch in thickness, the sleek PowerShot SD1400 IS features a 28mm wide-angle lens with 4x Optical Zoom lens and Optical Image Stabilization and 14.1-Megapixel resolution for outstanding photo and HD video quality. Available in four vibrant color variations, pink, orange, silver and black, the PowerShot SD1400 IS is scheduled to be available in late February for an estimated retail price of $249.99.

Canon PowerShot SD1300 IS Digital Camera:
The Canon PowerShot SD1300 IS delivers outstanding value for the consumer seeking a stylish, highly functional digital camera. The PowerShot SD1300 IS features a 28mm wide angle lens with 4x Optical Zoom lens and Optical Image Stabilization, 12.1-Megapixel resolution, and enlarged 2.7 -inch PureColor System LCD screen offering superior visibility. Available in five color variations, silver, pink, green, blue and brown, the PowerShot SD1300 IS is scheduled to be available in late February for an estimated retail price of $199.99.

For more information about the new Canon PowerShot cameras go to www.usa.canon.com/powershot.

About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked fourth overall in the U.S. in 2009†, with global revenues of US $35 billion, is listed as number four in the computer industry on Fortune Magazine’s World’s Most Admired Companies 2009 list, and is on the 2009 BusinessWeek list of “100 Best Global Brands.” Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – “all people, regardless of race, religion or culture, harmoniously living and working together into the future” – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei.

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† Based on weekly patent counts issued by United States Patent and Trademark Office

Availability, specifications and prices subject to change without notice. Actual prices are set by the individual dealer and may vary.

All referenced product names, and other marks, are trademarks of their respective owners.

HDMI, the HDMI logo and High-Definition Multimedia Interface are registered trademarks or trademarks of HDMI Licensing, LLC.

1 Canon cameras and camcorders are not guaranteed to support Eye-Fi card functions (including wireless transfer). In case of an issue with an Eye-Fi card, please check with Eye-Fi, Inc. Outside of the United States and Canada, government approval is required to use Eye-Fi cards in many countries or regions. Without approval, use of the card is not permitted. If it is unclear whether the card has been approved for use in the area, please check with Eye-Fi, Inc.

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ImagingInsider.com

The Family Camera is Back, Introducing the EOS Rebel T2i Featuring a Large 18-Megapixel

CMOS Sensor and Full HD Video Recording with Selectable Frame Rates up to 30 fps LAKE SUCCESS, N.Y., February 8, 2010 – Canon U.S.A., Inc., a leader in digital imaging, today introduced the new flagship model for the Company’s highly popular Rebel DSLR line: the Canon EOS Rebel T2i Digital SLR camera. Today’s photo enthusiast is looking for a camera that will grow with them as they learn, and that is a perfect description of the new EOS Rebel T2i Digital SLR camera. Retaining all of the traditional characteristics that have made the EOS Rebel series beloved by entry-level photographers and an industry best-seller, the new Rebel T2i succeeds in bridging the gap between an entry-level camera and a true pro-sumer camera.

The Rebel T2i Digital SLR camera includes a variety of new features for photographic assignments as varied as grabbing that action shot from the sidelines or creating memorable family portraits, including: 3.7 fps shooting, an ISO range of 100-6400 (expandable to 12,800), a 63-zone Dual Layer Metering System, and Canon’s DIGIC 4 Imaging Processor. There are some moments in our lives where video helps capture the moment better than a still image, and the Rebel T2i offers the best of both worlds with Full HD 1080p video as well as 18-megapixel still images.  The Rebel T2i DSLR continues Canon’s industry-leading trend in Full HD DSLR video capture with manual exposure control, selectable frame rates and a new external microphone input. There is also a new feature for standard definition recording, Movie Crop, which provides an approximate 7x additional zoom with no loss of image quality when shooting SD quality video.

“There is no question that HD video is the biggest trend in DSLR technology and because of this we are seeing the creativity of still photographers transferring to the moving image. Still photographers are using the various lenses and accessories they are already familiar with to create amazing video footage,” stated Yuichi Ishizuka, executive vice president and general manager, Consumer Imaging Group, Canon U.S.A. “Taking that HD video quality and putting it in the hands of entry-level photographers with cameras like our new EOS Rebel T2i, we are seeing a new generation of creative digital artists emerge.”

Lights, Rebel, Action – EOS HD Video Canon’s EOS HD video capture has helped spark a major movement in digital imaging, empowering still photographers with the ability to experiment, learn and capture stunning high-definition video through a variety of creative lenses. Continuing this imaging revolution, the new EOS Rebel T2i puts entry-level photographers on the frontline equipped with all the latest EOS HD video features including full HD video at 1920×1080 resolution, selectable frame rates, full manual exposure control and the visual options of interchangeable lenses. Manual video exposure control provides novice filmmakers with the image control they are accustomed to in a still camera, all while shooting professional-level cinematic video.  Professional photographers utilize creative lighting, adjustable depth-of-field and a variety of lenses to create powerful still images and video footage, and these are exactly the tools that the new Rebel T2i gives to budding photo and video enthusiasts. Adding a new professional-level feature for EOS cameras, the Rebel T2i includes an Auto ISO function that works in all Creative Zone exposure modes including Manual where users can set a limit to the highest ISO the camera will use, enabling them to retain the lighting and look they desire for a scene. By setting an Auto ISO range, videographers can retain dark shadow areas and avoid blowing out highlight areas in a scene while still retaining the benefit of automatic ISO adjustments. The Rebel T2i DSLR captures video in both NTSC (National Television System Committee) and PAL (Phase Altering Line) standards at selectable frame rates including Full  HD 1920 x 1080 at 30 (29.97), 25 or 24 (23.976) fps, and HD 1280 x 720 or Standard Definition 640 x 480 quality video, at 60 (59.94) or 50 fps. For easier video recording operation and familiar functionality for beginners, the Rebel T2i’s autofocus can be operated before or during video recording by pressing the shutter button half-way down in video mode. Another feature debuting in the Rebel T2i is Canon’s new Movie Crop mode, where the user can achieve 7x magnification when shooting SD video for a significantly increased “telephoto” effect. Unlike the digital zoom feature found in many compact digital cameras, Canon’s new Movie Crop mode actually crops the image directly from the CMOS sensor at full SD resolution to preserve maximum image quality and provide additional zoom power. The new Movie Crop feature is especially helpful for achieving extra full resolution zoom power when filming youth sports, such as a child running to the furthest end of a field. For better sound quality when shooting video, the Rebel T2i DSLR includes an external stereo microphone jack, a first for an EOS Rebel model, in addition to its built-in monaural microphone. These audio and video features supplement a tremendous range of additional must-have video features in an entry-level Digital SLR camera. For enhanced viewing pleasure and easy video sharing at home, the HDMI video-out capability of the Rebel T2i DSLR includes a new Consumer Electronics Control (CEC) compatibility which allows users to play back still or video files on a CEC-compliant HDTV, using the TV remote to control the camera when connected via HDMI interface. Camera Feature Set The EOS Rebel T2i DSLR features a newly developed 18-million-pixel Canon CMOS imaging sensor providing outstanding resolution and light sensitivity for amazing poster-sized prints with fine detail and stunning color. The camera exhibits exceptional low-noise performance incorporating many of the same technologies used to reduce noise in professional cameras such as the EOS 7D. The Rebel T2i camera’s basic ISO range is an amazing 100~6400, and via a Custom Function, it can be extended to ISO 12,800. The outstanding ISO range combined with its noise reduction technology allows the Rebel T2i to capture outstanding low-light pictures at events such as candlelit birthday celebrations or recitals where flash photography may be prohibited. The camera provides 3.7 fps continuous shooting for still photos, making it the fastest shooting Rebel model to date and enabling users to capture that great image of a little leaguer’s first swing. The camera features Canon’s proprietary iFCL 63-zone dual-layer metering system offering intelligent Evaluative metering with much finer segmentation than any previous EOS Rebel model. The new Rebel T2i also has an expanded ± 5 EV exposure compensation range allowing for much more versatility when shooting in extremely bright or dark environments; or when shooting HDR (high dynamic range) images.

The Rebel T2i DSLR includes a number of professional-level user-selectable Canon image processing features to enhance the image quality of in-camera JPEG files, and to tag RAW images for processing later through Canon’s Digital Photo Professional software (included with the camera). These features include Canon’s Auto Lighting Optimizer to enhance shadow detail and add contrast to “flat” scenes, Highlight Tone Priority adding up to one stop of detail in bright highlight areas, Peripheral Illumination Correction for automatic correction of vignetting, High ISO Noise Reduction with four user-selectable settings, and Long Exposure Noise Reduction applied to exposures one second or longer. These Canon image enhancements provide new photographers with professional quality automatic image correction on JPEG files right out of the camera. The EOS Rebel T2i digital camera includes a new enhanced 3-inch LCD monitor featuring 1.04 million dots with a wide 3:2 aspect ratio, wider than previous EOS models. The Rebel T2i camera’s LCD monitor can display a full-screen video image utilizing the entire screen during playback. For maximum storage capacity the new EOS Rebel T2i Digital SLR camera is the first EOS model to support SDXC memory cards. With all the new and exciting features of the EOS Rebel T2i, the Rebel series continues to provide great Canon features such as Live View, a built-in pop-up flash, and the EOS integrated cleaning system, as well as compatibility with Canon EX-series Speedlites and Canon EF and EF-S lenses allowing users to fully explore multiple creative photographic possibilities.  The new EOS Rebel T2i Digital SLR camera is also compatible with Canon’s new BG-E8 battery grip and new RC-6 wireless remote control for both still images and video capture. Pricing and Availability The Canon EOS Rebel T2i Digital SLR camera is scheduled to be delivered to U.S. dealers in early March, and will be sold in a body-only configuration at an estimated retail price of $799.99. It will also be offered in a kit version with Canon’s EF-S 18-55mm f/3.5-5.6 IS zoom lens at an estimated retail price of $899.99. About Canon U.S.A., Inc.                                                                                                         

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. Its parent company, Canon Inc. (NYSE:CAJ), a top patent holder of technology, ranked fourth overall in the U.S. in 2009†, with global revenues of US $35 billion, is listed as number four in the computer industry on Fortune Magazine’s World’s Most Admired Companies 2009 list, and is on the 2009 BusinessWeek list of “100 Best Global Brands.” Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. At Canon, we care because caring is essential to living together in harmony. Founded upon a corporate philosophy of Kyosei – “all people, regardless of race, religion or culture, harmoniously living and working together into the future” – Canon U.S.A. supports a number of social, youth, educational and other programs, including environmental and recycling initiatives. Additional information about these programs can be found at www.usa.canon.com/kyosei. # # #

†Based on weekly patent counts issued by United States Patent and Trademark Office. All referenced product names, and other marks, are trademarks of their respective owners. Specifications, availability, and pricing are subject to change without notice. Actual prices are determined by individual dealers and may vary. HDMI, HDMI logo and High-Definition Multimedia Interface are registered trademarks or trademarks of HDMI licensing, LLC.

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ImagingInsider.com

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ImagingInsider.com

Last month we asked readers a simple yes or no question in our site poll – do you have a PhotoBlog? Over 12,000 people responded.

Here are the results:

I was actually a little surprised by the numbers that did have a photoblog – I guess the many in the DPS audience have discovered the joys of sharing their best shots online!

Post from: Digital Photography School - Photography Tips.

40% of Our Readers Have PhotoBlogs

A Guest Post by Robin Ryan

I’d like to talk today about the potential offered by Neutral Density filters, and how they can make your photos more unique.

Ruined Harbour II by Duncan_Smith (used with permission)

The smooth watercolour feel in the above photo is due to a Neutral Density 64 Filter. This filter has interested me lately and this photo demonstrates one of its primary uses: to smooth out water and skies without the use of post-processing. I think the results are perfect, and I’d love to have this on my wall.

A Neutral Density Filter is one designed to block out a substantial amount of light. This enables the photographer to slow down his shutter speed and/or shoot at a faster F-stop.

Most photographers will use what is called an N2, N4, or N8 filter to smooth out waterfalls, rivers, oceans. This photographer has used an N64 filter which is far stronger, letting him have an exposure of 60 seconds at f/16 for this image. Without the filter, the photographer would have had to use f/2 to get away with a 60-second image, or less than a second at f/16.

An N64 filter allows for 1.5% of available light to enter the lens. Here is comparison table for the other filters, courtesy of wikipedia:

Filter Name F-Stop Reduction % of Light Transmitted

ND2 has an F-Stop Reduction of 1 which means 50% of the light gets through
ND4 has an F-Stop Reduction of 2 which means 25% of the light gets through
ND8 has an F-Stop Reduction of 3 which means 12.5% of the light gets through
ND64 has an F-Stop Reduction of 6 which means 1.56% of the light gets through
ND1000 has an F-Stop Reduction of 10 which means .1% of the light gets through

Options

It’s important to remember that filters are designed to fit your lens circumference. Look at the front part of your lens and check for a 2-digit number followed by mm. Common circumferences are 77mm, 72mm, and 52mm.

Robin Ryan is a Vancouver-based photographer always hunting for beauty through the rain. Or in it. Anyways, he runs “Your 1000 Words” and his portfolio is found at www.robinryan.ca

Post from: Digital Photography School - Photography Tips.

Neutral Density Filters

It was the first time she had done anything like this.

After all, fear of the unknown took her outside her comfort zone. Treading on new territory, pushing the boundaries of her photography, and allowing herself to be stretched would take all the courage she could muster. In her mind, there were a good many others more qualified. In the end, none of that mattered, she would do it anyway.

Tasra Dawson** climbed onto the bus with 33 other photographers. They had met for the Pictage PartnerCon (a photography conference) in New Orleans, taking 4 days to network, learn, and be inspired by massively successful pros in the industry. Tasra herself had spoken, and helped write and produce a film series for the event along with her husband Ron, but the experience she was about to walk into was less familiar and more daunting than standing on that stage before hundreds of people:

Shooting street images of strangers… with their permission.

She would meet her goal while out on a photo walk. It was the first she had ever done. It was to be a time when photographers pile onto a bus, travel across the city, and take pictures of various things, places, and people.

The fact that this photo walk was in New Orleans was surreal for her. When Hurricane Hurricain Katrina had hit in 2006, her parents had been on the Gulf Coast of Mississippi. Being in a place that had been touched by the same destruction near to her parents, made her feel as though she was experiencing family history. She was seeing it all with her own eyes. She would be documenting it with her own eyes too.

Tasra breathed. She had her camera. She had her gear. She had comrades. Together, they could embark on this adventure, and she was excited about what might come her way. The sense of adventure motivated her. She was a capable and successful photographer. The confidence she always instilled in her students and blog readers would have to be placed in herself.

The tour would cover the lower 9th ward – one of the places hit hardest by Hurricane Katrina. The first stop was Flood Street. She had ten minutes. She got off the bus, and didn’t allow herself any thought but one: Take pictures and go wherever it may lead.

She began to shoot. After a few shots, she turned and began taking pictures of what looked like a building just after destruction had passed – not years later. As she photographed, she noticed a man coming toward her. Her heart began to race wondering if he’d tell her to stop or get mad. She looked around for support but found herself alone.

This is it.

She took her courage and started a conversation. “Were you here during Katrina?” She asked him and received a nod in response. “Do you live around here?” His response “Not around here. I live here,” and he motioned to the building she had been photographing. He was there during the rising of the waters. He was there, in the top story of his house, when the water was up to his waist. He just couldn’t bring himself to leave, even in the face of danger; he had to stay.

For Tasra, the moment of truth came at that moment: “Would you mind if I took your picture in front of the house?”

To her relief, he said yes. After a few shots, the man asked if she wanted to go inside – inside his house. Her heart jumped. She was amazed. Amazed that the moment was not nearly as intimidating as she thought. She wondered if there were other moments and opportunities she missed because of her lack of confidence. She knew there were.

  

She walked into the house with a few other photographers. The first image she saw was the broken roof on the right side of the house. The light was streaming through the vacant opening, creating a beautiful shaft of light. As she took pictures, she asked about the different rooms, and the man shared. She could hardy believe how much she was able to document such a precious story of a man who would have rather died than leave his home. His courage was inspiring.

And she was able to experience this simply because she stepped out of her comfort zone.

The time passed quickly. After 15 minutes, she heard the bus honking for the return. She didn’t want to leave. The time had been unreal. As she walked back through to exit, the man passed through the light shaft – first image she had seen upon arrival. A quick snap captured one of her most precious images; not because of the rising smoke in the light, and the intense contrast of the textures, but because encapsulated in this one image was the entire story of a courageous man.

Tasra walked away with a new sense of confidence. She could be the photographer she had always wanted to be, but never thought she was. A photographer who captured beauty in stories and experiences that other people may not have. As she got back on the bus, she was content. They had only finished their first stop but she felt as though she had her story – the one she came for.

The lesson ushered in a new level for Tasra. She realized that situations may require certain risk, but sometimes the risk is not the end. There are rewards for stepping outside ones comfort zone. And often, those rewards are priceless.

** Tasra Dawson is a nationally acclaimed Senior Portrait photographer from Georgia. Tasra is involved with her husband Ron as a Creative team member for DareDreamer Media, and spends full time work as a photographer, blogger, and artist. Tasra takes part in “Pro: You”, a series of lessons learned on the road of professional photography. Her daily work can be found online at: www.TasraMar.com and www.TeenIdentity.com.

DPS thanks Tasra for the time she invested interviewing for this story.

Post from: Digital Photography School - Photography Tips.

A Story of A Photographer Leaving Her Comfort Zone

Weekly Assignment

We finished up a weekly assignment that took us back to the basics and looked at how different compositions can create an entirely different feel to a photo. We focused on photos with Centered Compositions. Having a centered composition can be dangerous because it can make your subject look very static, but used well, it can create a lot of interest in a shot as well. We actually had a 3 way tie this week! So, in no particular order, our winners. First up is inkiest’s Planet Lake Hodges. This is a great example of a “little planet” shot where a panoramic shot becomes a little planet. This kind of shot really takes centered composition to the next degree, and the rock in the middle really further emphasized the center nature of the shot. Our next winner is Obijuan’s Trapped Orange Slice. This still life was different than many of the shots and it really considered the use of centered composition well. Not only was the orange in the middle, but the holder was also (and the orange was in the middle of the holder!). And finally, last, but not least was GadgetVirtuoso’s Escalator Girl. The symmetry, the reflections, and the leading lines all lead to the subject. Add in the fantastic colours and you’ve got a great shot! Congrats everyone! It was definitely a good week!

We also started our month of food photography. This week, we’re focusing on Food Photography – Desserts. Food photography is one of those things that is deceptively easy, so to get you started, there are a number of tips listed on the assignment thread. We not only want to see a tasty dessert, but we want to see it in a way that makes us drool! Just a quick reminder of the rules, your photo must have been taken between 27 January – 10 February 2010. Second, your post must contain the words “Assignment: Food Photography – Desserts” and the date the photo was taken. Finally, your EXIF should be intact and it’s helpful if you can include some of the main points such as shutter speed, ISO, aperture, lens, camera, etc. Next week’s assignment will continue food photography, but it will be Food Photography – Fruits & Vegetables, so get out those veggies and see if you can make them as appealing as a nice dessert!

Hot Threads

• dPS Photography Competition: Life (Week 2): In case you missed it last week, dPS in conjunction with DigitalRev is running a competition where you can win your share of $2900 worth of prizes. You can enter 1 photo per week during the four weeks, so choose carefully! Best of luck!
• Post-It Notes: They’re good for jotting down your grocery list, notes to your family, and reminders for yourself, but did you know that they can make great camera accessories too? Gonzo13 shows us how to use colourful Post-It notes to add colours to your flash and subject. Check it out if you’re looking for some creative lighting ideas.
• Ratio of Good Images: This is a discussion that comes up every once in a while, and as we all know, the answer not only varies from person to person, but may change as you progress in your photography. Come share with us what kind of photography you do and what your ratio of keepers is. Then tell us whether you think that’s good or bad, or if it just is what it is.
• Photographs of Planets: Astrophotography is one of those types of photography that can be incredibly impressive. This thread has some great shots and great information about how you can take shots of the stars, planets, and other heavenly bodies. If you’re interested in astrophotography or you do it yourself, come join in the thread over in the forum.
• What Would You Do: As usual, we have another week of WWYD photos. This is your chance to edit the photo of another forum member and show us what you would do. These threads are a great chance to practice and hone your post-processing skills in ways you may not be able to do on your own photos.

Post from: Digital Photography School - Photography Tips.

This Week in the Digital Photography School Forums (31 Jan – 6 Feb ‘10)

I think most people have seen motivational posters in their travels. You know the ones – they have an image in the middle – a large word underneath and often a saying or quote that is supposed to inspire and motivate you for your day ahead.

This weekend your challenge is to create a motivational poster of your own and to share it.

Image by kkimpel

You might choose to make a serious motivational poster or do a funny one (my personal favorite)- the choice is completely up to you.

Once you’ve taken your shot and created your poster come back to this post

Once you’ve taken your photo and created your poster, upload it to your favourite photo sharing site and either share a link to it below or embed it in the comments using the our new tool to do so.

If you tag your photo on Flickr, Twitter or other sites with Tagging tag it as #DPSMotivate to help others find it. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

Image by Oplotnik

Image by ellie_4_jc

Image by lintmachine

Post from: Digital Photography School - Photography Tips.

Motivational Posters: Weekend Photography Challenge

As equally important to success in photography as knowing your camera, equipment and light – and being a good marketer – is developing within yourself an attitude of success. It’s something that separates and elevates the photographers that are popularly admired today including Chase Jarvis, Jasmine Star and Joe McNally, to name a few.

I wanted to use this post to give extra attention to two skills I think sometime see less awareness than other components of photography – kindness and hard-work. Combined, the two are an incredibly powerful force. The reason behind this post came after asking a few Facebook fans what I could help them with from my own experiences as I continue to forge my own path into the professional arena. The overwhelming response was, “How to make a buck with a camera.”

The variety of marketing plans and methods to get your work seen where it will sell, seems as varied as each photographer. Social media, hard portfolios, promo cards, word-of-mouth and more all fit into the puzzle. All important information to know, but to answer this question what I really wanted to hone down on was the principles of successful people, and how you can bring them into your own photography.

Give more to get more

On January 20, 1961, American President John F. Kennedy took to the podium for his inaugural address and delivered a phrase that holds a deeper meaning as a core principle of success – “ask not what your country can do for you – ask what you can do for your country.” In essence, instead of simply seeking out how other people can help you, learn how you can help others. Apply it to your photography. By doing so, I guarantee it will open new doorways for you.

Personally, it has given me an incredible amount of opportunities in a very short time period, and the chance to have a dialogue with many of the photographers I admire most. What I’ve taken from those conversations and opportunities has been invaluable. What I’ve also found pretty consistent among those photographers I admire most is they want to know how they can help me as well. It’s an attitude that’s served them well throughout their careers. Apply it to yours.

Show up to every job

Here is the crux. Be prepared and ready to deliver the help you offered with hard work and enthusiasm. Take a moment to reflect and be ready with a great attitude. Be persistent in following-up, but don’t be a pest either. If you offer to help a photographer, art director or someone else you admire, be sure you can actually deliver on that offer! Don’t propose to assist a photographer and then flake on the day of. Consider your chance with this photographer or team blown for good if you do. Prove you are good to your word and prepare to be there with your A+ game.

The same goes x10 for any client you book. These are the people or groups putting out their hard earned money for your product. Earn it. That small $500 client may be connected to a buyer or newly engaged couple that has the potential to book you for a $5,000 wedding or $25,000 commercial job. People pass along the word when you deliver not only a great product, but a great experience as well. Don’t just be there, show up for them.

Position yourself in ways to give back

Image by Nick Onken

It’s unrealistic to expect to get accepted by every photographer you ask to assist or art director you’d like to work for. These are incredibly busy people and the higher up the “food chain” they are, the more often they receive offers from enthusiastic and good-natured people just like you. Or you may just not fit the mold of what they’re looking for. Don’t be discouraged. Find some way to stand out amongst the pack. Always ask yourself, “What is it that’s unique about me that I can bring to this client or team?” Pursue the opportunities that will put you in a position to help or just say, “Thanks.” Give without any expectation of receiving.

One of those opportunities allowed me to get in contact with a photographer who has been a big inspiration behind my own work, Nick Onken. Being a writer for Digital Photography School has given me the chance to review his upcoming book, Photo Trekking, as my thanks for the great information I’ve learned from reading his blog. If you’re interested in the world of commercial and travel photography his blog is a must read.

Opportunities like this are available to each and every one of you if you search for them. Believe it! Being an arm-chair activist won’t get you there though; seek out the positions or unique skills that will elevate your game wherever you can.

Learn from Conan

Art by Mike Mitchell

Be open, be engaging and be kind. Good things come to good people who treat others well and live positively. I firmly believe that. You’ll notice you admire your favorite photographers not only because of their great work, but because they are genuinely great people too. We gravitate towards individuals who bring the right energy and attitude each and every day.

Conan O’Brien said it best. “Nobody in life gets exactly what they thought they were going to get. But if you work really hard, and you’re kind, amazing things will happen. I’m telling you, amazing things will happen.”

Work hard, be kind and soon you will find yourself on the path to both photographic and personal success.

Post from: Digital Photography School - Photography Tips.

Develop an Attitude of Success

Here are over 30 of some of the awe inspiring shots taken by the Hubble space telescope providing an out of this world experience…
(image :: nasa via fox)

View Images…

Source: Fox via ImagingInsider.com

Canon’s G series cameras have been around for a while and are much used by semi pros and pros needing an easy to use backup camera that still offers quality image capture.

The G11 continues the breed, with some improvements tucked away under the bonnet but with one or two surprising omissions.

Image capture maxes out at 10 million pixels; the lens is an optically stabilised and reasonably fast f2.8 Canon optic that has a 35 SLR equivalent of 28-140mm … or 5x.

The ten million pixel CCD delivers a maximum image size of 3648×2746 pixels or, in print-speak, a 31×23cm output at 300 dpi. RAW and JPEG capture are available. In the current climate, the movie specs are disappointing with only 640×480 pixel capture.

While many compact digicams shout about their higher res capture — 12 megapixels and more — it’s useful to compare apples with apples: the G11’s CCD measures 14.9mm across the diagonal while the compacts mostly reach 11mm — a significant difference. This is what Canon is all about.

At first look, the G11 seemed to be smaller than the previous G10 model and it sort of was — and wasn’t! Overall, the G11 is about five percent larger … a little wider and higher. However it’s still a very compact camera and could fit most outer coat pockets.

Canon Powershot G11 Features

Looking more and more lonely these days is the G11’s optical viewfinder, uncorrected for parallax and with little more going for it than it gives a bright view of the scene, even in bright sunlight. You will have to be careful of vertical parallax when shooting subjects a metre or so from the camera.

Supporting this optical finder is the rear 7.1 cm LCD screen, tiltable vertically and swingable horizontally. Compared to its compact digicams peers the LCD has relatively low resolution but worked well in my shooting adventures with the G11.

What sets the G11 apart is its direct control of the some of the camera’s settings via two concentric mode dials. The inner one leads you to auto, Program, aperture and shutter priority exposure modes, give access to scene modes, two custom settings and movie shooting. A Quick Shot Mode offers display LCD of the camera’s current settings like white balance, image size etc with idea that you view with the optical finder and just fire away.

The other mode dial is an ISO speed dial, which gives direct access to all settings — ISO 80 to 3200: a far better approach than a dig and delve in the finder menu.

The ISO test shot at the 80 setting showed superb quality, with no sign of noise

(insert Canon G11 ISO 80 f4.5 1/25 sec.JPG)

Same quality at ISO 800 — ideal for low light work

Pretty good at ISO 1600 — with only a slight loss of definition

A direct access to an interesting Low Light Mode is here also: the ISO speed will be varied between 320 and 12,800, with a faster shutter speed, according to ambient conditions.

To the left of these controls is another direct access button to raise or lower exposure compensation: two f stops up or down in third stop increments.

In the area of face detection Canon has chosen a smart approach: aim the camera at a face, press the frame detector button and the AF system will lock on this face, no matter how much you reframe and alter its position in the picture.

The G11’s continuous shooting abilities are less than superb: a rate of 1.1 pictures/second is available, with focus and exposure locked; step back to 07 pics/sec and the camera continues to focus.

I managed to capture this shot by using an exposure of f8 at 1/13 second. Had I needed more water blurr I also could have switched in a neutral density filter that shrinks the incoming light levels to 1/8 or three f stops.

Startup Time

The camera was ready to shoot about one to two seconds after startup; follow on shots at about a second each.

Distortion

There was noticeable barrel distortion at the wide end of the zoom, with little visible at the tele end.

Comments

The G11 is a fine camera and should win friends who want an easy to use, high quality picture maker.

Quality: about as good as it gets with a compact digicam. If you need better colour capture and higher resolution you may have to pick up a DSLR.

Why you’d buy the G11: optical finder; direct access to important settings.

Why you wouldn’t: poor movie specs; poor burst rate.

Canon PowerShot G11 Specifications

Image Sensor: 10 million effective pixels.
Metering: Evaluative, centre-weighted average; spot.
Sensor Size: 14.9mm CCD.
Lens: f2.8-4.5/6.1-30.5mm (28-140mm as 35 SLR equivalent).
Shutter Speed: 1 to 1/4000 second.
Continuous Shooting: 1.1fps.
Memory: SD, SDHC, MMC, MMCplus, HC MMCplus cards,
Image Sizes (pixels): 3648×2746, 3648×2736, 3648×2048, 2816×2112, 2272×1704, 1600×1200, 640×480. Movies: 640×480, 320×240 at 30 fps.
File Formats: JPEG, RAW, Motion JPEG.
ISO Sensitivity: Auto, 80 to 3200.
Interface: USB 2.0, AV, DC input.
Power: Rechargeable lithium ion battery.
Dimensions: 112.1×76.2×48.3 WHDmm.
Weight: Approx. 355 g (body only).
Price: The Canon Powershot G11 is currently $453.99 at Amazon.

Post from: Digital Photography School - Photography Tips.

Canon Powershot G11 Review

Software maker Topaz Labs has released Detail 2, its detail enhancement and sharpening plug-in for Adobe Photoshop. The latest version features a redesigned interface, more editing tools and promises faster processing speed. It is available as a free upgrade for existing users or $39.99 for first-time buyers.

04/02/2010 The announcement of Hasselblad’s H4D line of cameras and True Focus technology heralded the beginning of a new chapter in the history of medium format DSLRs. Now, with the launch of the H4D-40, Hasselblad is announcing its intent to bring the advantages of Medium Format DSLRs to high-end 35mm photographers.

Hasselblad, world leading manufacturer of high-end digital camera systems, announced today the launch of a new product, the Hasselblad H4D-40, the most recent addition to the company’s new H4D camera line. The H4D line, built upon Hasselblad’s successful H3D-II series, adds faster capture rates, higher ISO ratings, up to 4 min exposure times, and the new True Focus feature, a further refinement of Hasselblad’s segment leading Auto Focus system that makes accurate near field composing substantially easier for photographic professionals. Hasselblad is targeting the H4D-40, which features a 33×44 mm CCD sensor with 40 million pixels and provides almost twice the capture area of the largest 35mm DSLR sensors, towards high-end 35mm professionals.

“Most high-end photographers understand the advantages that a Medium Format system has over smaller formats,” explains Hasselblad CEO Larry Hansen, “but many younger photographers have never been exposed to larger format photography. Most everyone in the photographic world is aware, for example, of the dramatic developments that have taken place in the 35mm in recent years,” he continues, “but there many of the younger generation of shooters are not aware of the fact that Medium Format DSLRs have evolved equally dramatically, maintaining – and even in some cases increasing – the quality gap that has historically existed between small format and larger format systems.”

“The fact that our large sensors have millions of pixels more than 35mm sensors is known, for instance,” Hansen continues, “but the superior image quality that results, in terms of color, detail, and clarity, is not as well known. Likewise, many photographers are not aware of the fact that the larger format of the H System cameras provides a considerably shallower depth of field range, making it much easier to utilize selective focus to creative effect. When combined with True Focus, this opens enormous creative possibilities and technical accuracy. Add to this the modularity of the H4D-40 with its choice of bright image viewfinders and an extensive accessories program, and you get a feature set that makes a Hasselblad system, today, more than ever, a crucial component of any professional photographic toolbox.”



Features such as new low noise color filters of the H4D-40’s sensor and the high performance HC/HCD lens line, provide the basis for increased clarity and increased depth of field. The Hasselblad Natural Color Solution (HNCS) achieves consistent color reproduction using a single color profile, and digital lens correction (DAC), perfects each image captured through the HC/HCD lenses, by removing any trace of distortion, vignetting, or chromatic aberrations.



The H4D also comes bundled with Hasselblad’s new Phocus 2.0 imaging software, featuring a dramatically reduced learning curve, enabling the average photographer to be up to speed in less than 30 minutes, and a feature set that matches the industry standards defined by Adobe and Apple.



“We are thrilled to be able to announce the introduction of the H4D-40,” continues Hansen, “and look forward to welcoming a new generation of 35mm photographers as they step up to a higher level of image quality and begin to explore the creative possibilities provided by a Hasselblad system. With the H4D-40, photographers get a camera that is as easy to use – or even easier – than a high-end 35mm DSLR, but that comes with the famed Hasselblad image quality – larger lenses and sensors, more advanced optics, increased resolution and clarity, and all the other benefits of Hasselblad’s Medium Format DSLRs.”



“For over half a century,” Hansen concludes, “Hasselblad cameras have been the choice of the most discerning professionals and the reason for that loyalty has not changed – at Hasselblad, image quality always comes first. We will continue to pursue image quality perfection and will continue to provide the ultimate imaging tools for any application where image quality is important. And in the upcoming months we will do our best to see that as many 35mm photographers as possible get the opportunity to try these amazing products for themselves.”



Hasselblad is launching the H4D-40 worldwide via a series of dealer demonstrations and events in the Americas, Europe, and Asia. The H4D-40 starts at 13995 Euro / 19995 USD / 12995 GBP for camera body, viewfinder, and 80mm lens, and is available for immediate shipping. For dates and times of regional or local launch events, or to learn more about the advantages of the Hasselblad system, log on to www.hasselblad.com





True Focus: Delivering accurate composing at close distance with shallow depth of field



True Focus helps solve one of the most lingering challenges in professional photography, true, accurate focusing throughout the image field when working with shallow depth of field at closer range. Without multi-point autofocus a typical autofocus camera can only correctly measure focus on a subject that is in the center of the image. When a photographer wants to focus on a subject outside the center area, they have to lock focus on the subject and then re-compose the image. In short distances, this re-composing causes focus error, as the plane of focus sharpness follows the camera’s movement, perpendicular to the axis of the lens. The traditional solution for most DSLRs has been to equip the camera with a multi-point AF sensor. These sensors allow the photographer to fix an off-center focus point on an off-center subject, which is then focused correctly, but such multi-point AF solutions are often tedious and inflexible to work with and do not really solve the problem.



To overcome this problem, Hasselblad has used modern yaw rate sensor technology to measure angular velocity in an innovative way. The result is the new Absolute Position Lock (APL) processor, which forms the foundation of Hasselblad’s True Focus feature. The APL processor accurately logs camera movement during any re-composing, then uses these exact measurements to calculate the necessary focus adjustment, and issues the proper commands to the lens’s focus motor so it can compensate. The APL processor computes the advanced positional algorithms and carries out the required focus corrections at such rapid speed that no shutter lag occurs. The H4D’s firmware then further perfects the focus using the precise data retrieval system found on all HC/HCD lenses. The True Focus technology and APL (both patent pending) mark a significant milestone for Hasselblad’s high-end DSLR strategy and represent the result of many years of development work.

To read more about True Focus, please visithttp://www.hasselblad.com/promotions/apl.aspx

===

ImagingInsider.com

They say never work with animals or children but who can resist those cherub like faces? Here are a handful of hopefully helpful pointers that one can try when it comes to framing tots and toddlers:

1. Most children will have the patience of a fly so start by netting the ‘safe shots’ first, such as a few well composed, nicely lit portraits with a 50mm prime, before diving into the most adventurous ideas. Suggestions for such could be to: opt for some tight crops of the tot’s face, vary depth of field to avoid distraction, or get creative with shutter speed to some exciting ‘movement’ effects. When their attention levels start to dissipate, try following them around. Not only do you get a glimpse into their world but this can make for some beautifully natural shots. When kids are happy playing on their own opt for a zoom such as an 18 – 200mm to cater for up close and at a distance shots.
2. When kids are cute it can effortless to forget technique and become shutter happy; click, click and click some more – before you know it you’ve expired a 4GB memory cards and have a heap of blandly identical images. Limiting yourself to 20-40 shots forces you to focus on strengthening your composition, as it helps you to decide what it is important and challenges you to be more creative.
3. A towering adult is obviously a daunting prospect for a tot and the bird’s eye view perspective is only going to yield so much value. A better idea is to drop down to their level is ideal and emphasis the smallness of their stature, reinforce the connotation of innocence and if you catch them looking up you’ll be amazed at how big their eyes can appear, subtly increasing the ‘aw’ factor.



4. Some kids just don’t want to sit for photos. Give them a prop, toy or a task to focus their attention and you’ll be amazed by the results. There are lots of things you can try; baking cakes, gardening, building sandcastles, following a treasure trail – anything to get them to relax and this is where an on-hand parent can be of great use; helping the child to relax and bring them out of their shell. If they still don’t want to play ball catching infants at their most naughty, angry, sulky or upset can still make for powerful portraits. Be aware that cheesy grins may cause the eyes to crinkle and the impact may be lost, so catching a shot whilst the child is off guard but in good spirits is a solid antidote for this.
5. As with any portrait consider your scene. Be sure the light falls evenly and flatteringly, backdrops featuring bright colours and interesting textures add interest and declutter your scene of distracting items. On a really bright day it can be hard to get even light, so place your subject in a shaded area such as a doorway, porch, entrance to a tent, or even under a garden table. Take an exposure reading from their face and the result will be a portrait with flattering light without the need for flash or reflectors. Alternatively if there is no shade, try taking a shot of the child walking away with the light behind you – often these shots can reveal more about their personality than the front.
6. The beach is a wonderful location for photographing children at play. Their actions are natural and the backdrop provides a sense of place whatever the weather. Avoid shadows and squinting in super sunny conditions by bringing along a parasol or improvise with a beach towel, shooting them under the shaded area.



7. The clothes the child wears will have an effect on their mood and ultimately – your shots. Everyday casuals are ideal for relaxed natural shots, whereas formal wear can go either way; exude maturity or sulk because they dislike stuffy dresses and suits. Costumes are perfect for bringing out the imagination gene in your models, resulting in energetic and tangibly fun frames.
8. Black and white images can do wonders for pictures of newborns, whereas tot shots are often better left in vivacious colour. However if you are keen to emote a calmer, softer connotation open up Photoshop travel into the Adjustments menu and either reduce saturation, hit desaturate or travel into Gradient Map and select the B&W option. Employing a high-key effect in Photoshop can also add an angelic feel to portraits of your little cherubs. Take a beautifully lit image and open it in Photoshop. Head for Adjustments and select Curves. Gently lift the line twice near the bottom and once near the top to generate a shallow ‘S’ shape. This will alter the contrast and brighten hues, but do this process in small increments as too much and you’ll lose details.
9. Creating a shallow depth of field is wonderful for focusing attention on the child sitter. If you’re uncomfortable with using manual, flick your shooter into Aperture Priority and opt for a lovely wide aperture such as f4 or f5.6. Focus on your subject and incorporate the backdrop into the frame – use something interesting or colourful here. Alternately throw the child out of focus by aiming at an object in their hands instead.



10. Get creative with shutter speed! Chuck a pair of wellies on the pint size model and have them jump around in puddles. You could freeze water splashes and stop the action using a shutter speed of 1/250 or above or blur the child mid air with a slow shutter of around 1/60 (but you may need to ramp up the ISO in low light). Alternatively mix the two effects with a rear curtain sync to make the most of a long exposure whilst firing a flash – the result is a frozen subject with the motion trailing behind.
11. Newborns grow rapidly and their features can alter as a result. Photograph at regular intervals to chart this change. Whilst they are very young you’ll find it is easy to capture stills whilst they are asleep. For the best results position the baby in a well lit room or near a large window diffused with a thin white sheet. Cropping in close for segmented body shots of newborns is quite clichéd but the results can be breathtaking: toes, feet, hands, legs, face, etc. Why not use these as a series or pick the best three to form a triptych?
12.  Shooting children in groups multiplies the stress levels but increases the opportunities to be experimental. Ask them to interact by holding hands, rubbing noses, playing a game s, running towards the camera, jumping off a bench – anything that unleashes their personality! The encyclopaedia of expressions and characteristics that will no doubt explode out of the frame will definitely be worth the hassle. Expose for the faces and lock focus on to one of the cheeky grins for sharpness.

Post from: Digital Photography School - Photography Tips.

Photographing Tots and Toddlers

We all love getting our hands dirty with studio lighting equipment. Here is everything you'll need to get a studio going. All the modifiers are DIYed so mark the next few weekends as taken. Click each image to get to the relevant project page.

DIY Beauty Dish

A Beauty Dish is a flash modifier used commonly in fashion
photography. It has a great combination of soft light and fast light fall
off. When you look at it closely, however, you find out that it is
nothing more than a terracotta bowl and a plastic jar (or a small car
mirror). By Mr. Embrey.

read more

3-D is the biggest craze in Hollywood at the moment. Avatar, Toy Story 3, A Christmas Carol and even Nanny McPhee have gone (or are going) 3-D this year. So how can we harness this concept in our photography?

The most basic principal of three-dimensional art is a foreground/subject which stands out from the background in such a way that you can actually feel the space between them. Obviously, a picture is flat. But if you can edit it in a way to create that space, you can make the effect on it’s viewer memorable. The concept translates into the editing process simply: edit the subject and the background entirely independently of each other. The way in which I feel most successfully achieves that is to make a darker, richer background and a lighter subject.

1.} Choose an image carefully. Not just any image will do. Try to find one which already has a sense of space between the foreground and background. Some far off background action would be great. I chose one where the subjects were almost fully shown (not just their upper halves).

2.} I duplicated the image for safe measure. As I usually do for step 1 of my editing process, I separate the foreground from the background by using the quick selection tool  and typing ctrl+j to create a new layer. First, though, I feather the selection out in select > feather > 0.5 px.

3. } Start editing the background. I usually first duplicate the layer, use overlay or soft light blending mode and take it down to at least 50%. When it’s the way I want it, I then merge the background layers back into one and separate the sky from the rest of the photo so I can edit them separately.

4. To the grass, I applied Flypaper’s ‘Muscatel’ texture layer at hard light, 49%. I also used ‘algae’ at overlay 100% (before you run off to buy these wickedly ingenious textures, read to the bottom for a discount code!) Check out this before/after of the grass:

5.} For the sky, I opened an image from my skies folder (I keep a folder with impressive skies to use as replacements) and laid that over the background sky. I then used Flypaper’s ‘Marie Antoinette’ @ multiply 9%, ‘ming’ @ overlay 35%, ‘lavender skies’ @ multiply 35% and ‘algae’ @ overlay 16% and here it is after:

6.} Here’s the wow factor step. I used the ‘Colosseum Sienna’ and placed it over the top layer in the layers palette. I then type ctrl+g to clip it in so that it is glued onto the boys like this:

7.} Then hold onto your seats as you change it to overlay 100% because immediately, the boys pop out of the picture and into my office (ok I’m not that important…I’m writing this in bed). I wish I had a way to show you in mouse-over because they almost literally pop off the image.

8.} ‘Colusseum Sienna’ is a cracked texture and quite orangey on their skin, so I added a maximum gaussian blur and took down the saturation a notch.

9.} For one last little touch, I added a slight filter > correct camera distortion vignette to the background. And here is the before/after. What do you think?

Flypaper is kindly offering DPS readers a $4 discount on the purchase of any textures pack for the next two weeks. Just enter the code ‘DPS‘ at checkout!

Post from: Digital Photography School - Photography Tips.

How to Make A 3-D Effect in Photoshop

Simple Operation + High-Quality 12 Megapixel Images + HD Video + In-Camera Creativity + Interchangeable Lenses = Total Compact Multimedia Package

CENTER VALLEY, Pa., February 3, 2010 – The new Olympus PEN® E-PL1 is truly greater than the sum of its parts, with a surprisingly small camera body packed with technology normally found in bigger, bulkier and heavier professional Digital Single Lens Reflex (DSLR) cameras and High-Definition (HD) camcorders. This third-generation PEN is built for shutterbugs who always wanted better pictures and considered a DSLR, but were intimidated by the bulky size and complex interface. The new camera’s simple design and easy interface enable consumers to easily create amazing images never dreamt possible. It will make you wonder how Olympus managed to put all of these powerful features inside such a compact camera for only $599.99.

The E-PL1 equals an affordable and powerfully simple all-in-one package that travels with you to capture life in the high quality that your memories deserve.

“Many of today’s consumers want a camera with the professional still image quality of a DSLR and HD video in a compact body that’s as easy to use as a point-and-shoot,” said John Knaur, senior marketing manager, Digital SLR, Olympus Imaging America Inc. “Thanks in part to an image sensor that’s approximately eight times larger in size than what’s inside the average point-and-shoot camera, the E-PL1 delivers outstanding high-quality images. Add the flexibility of high-quality interchangeable lenses, the convenience of a built-in pop-up flash, in-camera creative features and technology designed to produce images effortlessly, and the E-PL1 is the total consumer-friendly, multimedia package.”

EASILY PEN YOUR STORY WITH A BRAND NEW PEN

This third generation of the Olympus PEN series combines powerful features in an easy-to-use package that will make capturing your life more fun. The new direct record button makes taking videos easier than ever and the new Live Guide functionality makes it simple to learn photography techniques without requiring the skills of a pro shooter.

New Direct Button for HD Movies
Recording HD movies with the E-PL1 is simple, thanks to an easy-to-reach red “direct button” (red record button) on the back of the camera body. If you’re about to snap a photo and you realize a video would capture the spirit of the scene even better, simply press the record button and instantly you’re capturing videos! Easily toggle back and forth between capturing stills and videos by using your index finger to press the shutter button or your thumb to press the red record button. Having the ability to shoot still images and videos opens up a world of imaging possibilities.

New Live Guide Sets the Scene Before You Shoot
The E-PL1’s new Live Guide interface simplifies great photography and gets the results you desire at the touch of a button. Want more vivid or muted color in your shot? Want warmer or cooler color? Want a brighter or darker subject, or a sharper or softer background? Or maybe you want to capture the fast-moving action of your subject with a little artistic blur, or perhaps freeze the action? Simply select Live Guide and press the up and down arrows on the back of the camera to slide through numerous photographic effects. Make adjustments and watch the LCD as the effects are made live – before the image is captured! Don’t worry about learning technical things like f-stops, shutter speed and white balance; jump right in by composing, adjusting exposure and more before the shot is taken.

Seeing the results before snapping the image ensures you are getting the shots you want, and it will change the way you photograph. Shooting Tips are also included with Live Guide, so you can leave the manual at home.

Automate Everything
Live Guide is just the start of automated technologies on the E-PL1 designed to free you up to focus on your subjects instead of focusing on your camera’s settings.

• 19 Scene-Select Modes: From portraits to sunset shots, the E-PL1 is equipped with 19 Scene-Select modes for effortless picture taking, including Fireworks, Sunset, Children, Macro and Panorama, to name a few. Capturing beautiful portraits is easy with the ePortrait Mode that enables you to smooth your subject’s complexion.
• Intelligent Auto (iAuto) Mode: When you don’t want to use the scene-select modes, the iAuto mode automatically identifies what you’re shooting and adjusts settings for you to capture the best result depending on the situation.
• Face Detection: Reduce the chance of blurred subjects in images by recognizing up to eight faces, tracking them within the image area, and automatically focusing and optimizing exposure for sharp portraits.
• In-Camera Panorama: Capture three images and stitch them together to create one amazing, seamless panoramic picture. Or use the included OLYMPUS [ib] software to stitch up to 10 images together for the ultimate panorama.
• iEnhance: With this mode the warm yellow and orange colors of a sunset are heightened to a dramatically lifelike color that’s truer to what you see with the naked eye. iEnhance can be used in any mode, and automatically engages when using iAuto to enrich color in any subject.
• Share: Just connect the camera to an HDTV with an optional HDMI cable and use your TV remote to control playback functions and navigate the camera’s menus from the comfort of your personal front-row seat. The E-PL1 records to SDHC (Class 6 recommended) media cards that can be plugged directly into many devices and accommodate large files, including videos.

New Powerfully Simple Pop-Up Flash
The E-PL1 is the first camera in the Olympus PEN series with a built-in pop-up flash that makes it easy to illuminate low-light subjects, reduce red-eye and fill in dark areas. The camera is also compatible with a range of optional external flashes, including the Olympus FL-36R and FL-50R, which can be controlled wirelessly by the E-PL1 so you can dynamically control lighting as your photography skills grow.

PRO-QUALITY IMAGES

How do professional photographers capture the stunning images you see in the pages of glossy magazines and coffee-table books? Talent matters, of course, but you also need the right equipment. Rest assured that the E-PL1 has everything you need to produce vibrant, professional-quality images: a large image sensor, in-body Image Stabilization, Imager Autofocus, the proven Olympus Dust Reduction System and the TruePic™ V Image Processor.

Big Sensor, Not a Big Body
At the heart of the E-PL1 is a large-size image sensor that’s the same sensor as the one inside the Olympus E-30 and E-620 DSLR models. The only difference between this sensor and what the pros use is that this big sensor is inside the much smaller body of the E-PL1. This high-performance 12.3-megapixel Live MOS image sensor (eight times larger than the average point-and-shoot camera sensor) delivers excellent dynamic range, accurate color fidelity, and a state-of-the-art amplifier circuit to reduce noise and capture fine image details in both highlight and shadow areas.

Stabilize All of Your Lenses
Instead of selling more expensive lenses that have image stabilization inside them, Olympus takes a different approach by having image stabilization built right into the body of the E-PL1. This means that any lens (Micro Four Thirds™, Four Thirds and any third-party lens) attached to the E-PL1 will deliver blur-free images thanks to three modes of In-body Image Stabilization that automatically compensate for camera shake, including in low-light situations or when shooting without a tripod. Since the PEN cameras are the world’s smallest interchangeable-lens cameras with image stabilization built inside the body, you can take the E-PL1 with you and capture great images, and it won’t weigh you down.

Track Your Subjects Wherever They Roam
The E-PL1’s Continuous Autofocus (C-AF) Tracking and Autofocus (AF) Target Registration locks your subject into focus and constantly adjusts focus and brightness whether you or your subject is moving. With this mode, a simple push of the shutter release enables you to keep moving subjects in focus – tracking them from left to right and from front to back – within the frame, automatically ensuring that even active subjects, like kids playing sports, are captured clearly.

The E-PL1’s Imager Autofocus in Live View enables you to compose, focus and capture the shot quickly and easily without ever taking your eyes off the camera’s large, 2.7-inch full-color, high-contrast HyperCrystal LCD for an easy, seamless viewing experience when shooting still images or videos. The LCD also provides a wide viewing angle of 176 degrees, which ensures that images can be composed from even the most obscure angles.

This Camera Leaves Others in the Dust
If you’re just starting out with a camera that has interchangeable lenses, you don’t have to worry about dust spots on your sensor ruining the perfect image every time you change lenses. Spend more time shooting with the E-PL1 and less time worrying about dust with the proven Olympus Dust Reduction System that produces spot-free photos with the exclusive Supersonic Wave Filter™, a patented ultrasonic technology that vibrates to remove dust and other particles from the front of the image sensor, capturing them on a special adhesive membrane every time the camera is turned on.

True-to-Life Color
The E-PL1’s Live MOS image sensor is complemented by Olympus’ TruePic™ V Image Processor, which produces clear and colorful photos using all the pixel information for each image to provide the best digital images possible. The image processor is noted for accurate natural color, true-to-life flesh tones, brilliant blue skies and precise tonal expression; it also lowers image noise in photos shot at higher ISO settings (ISO 100 to ISO 3200), enabling great results in low-light situations.

EASILY EXPAND YOUR CREATIVE HORIZONS WITH BUILT-IN EFFECTS

Express yourself with in-camera creative features. Professional images are rarely unedited images. Video and still image pros use computer-editing software to render their images with effects that set their shots apart from the pack. Olympus appreciates that you may not have hours to spend retouching your images at the computer, so the E-PL1 incorporates editing effects inside the camera to save you time. Whether you apply in-camera creative effects while shooting an image, or apply them later to images captured without the effects, all are inside the E-PL1, so you can achieve dramatic results on the go without a computer or editing software.

The E-PL1 has six in-camera Art Filters, including a new filter called Gentle Sepia. This filter gives your images and videos a soft, warm sepia cast similar to historical images from the early days of photography. The sepia tones are softer and the blacks are a true black, unlike traditional sepia images. The new filter joins Pop Art, Soft Focus, Pin Hole, Grainy Film and Diorama (the filter that makes everything look as small as the E-PL1).

With the E-PL1’s Multiple Exposure function available for still image capture, you are free to tell a visual story your way. The image capture options enable you to shoot one shot, then another and combine them in real time, or capture both shots separately and combine them within the camera later. Take a shot of your significant other, and overlay your self-portrait on top to figure out what your kids will look like. If you have kids already, overlay your kid’s face on top of a shot of his or her favorite cartoon character for laughs. Your ability to manipulate space and time makes this new creative multimedia device a veritable time machine.

You often can achieve greater photographic expression by framing a scene in a unique way. The E-PL1 provides four aspect ratios that serve as masks to frame your image to the desired proportions, including the standard 4:3 aspect ratio that is suited to an 8 x 10-inch enlargement; the 16:9 aspect ratio that will display beautifully on a widescreen television; and other popular aspect ratios, such as 3:2 and 6:6. The Multi-Aspect Shooting further expresses your creative vision when combined with in-camera Art Filters and Multiple Exposures.

With the E-PL1, you have your own living library of still images, HD video and audio to remix at your command. In playback mode, you can seamlessly mix stills and movies inside the camera to create a multimedia slideshow, and dub in one of three built-in dramatic background music options to provide a soundtrack for your cinematic creation. With so many creative options, there’s no limit to what you can create. Choose whether or not you want to play back just pictures, just movies or a combination; also control playing back the whole movie or just a clip.

OPEN SYSTEM EASILY GROWS WITH YOUR ABILITY

With a basic point-and-shoot camera, you get one lens built into the camera. One lens, that’s it. And it’s likely a small lens, which doesn’t allow a lot of light through to hit the image sensor. So, you may have a difficult time in low-light conditions. And without the option of adding more lenses, you’re limited to what that one point-and-shoot lens can do. The E-PL1 solves these issues by accepting a variety of lenses to maximize its functionality. Whether shooting still images or HD video, you can add everything from an extreme wide-angle fisheye lens to a super-telephoto lens for a wide range of expressive options.

The M. ZUIKO DIGITAL Micro Four Thirds lenses are designed to be more compact and portable like the E-PL1. Choose from the ED 14-42mm f3.5/5.6 zoom lens (28-84mm equivalent in 35mm cameras) sold with the E-PL1, the ED 17mm f2.8 lens (34mm equivalent), the new super wide-angle zoom ED 9-18mm f4.0-5.6 lens (18-36mm equivalent) or the high-power wide to telephoto zoom ED 14-150mm f4.0-5.6 lens (28-300mm equivalent).

If you want to have even more options, the MMF-2 Four Thirds System Lens Adapter makes the E-PL1 compatible with all Olympus ZUIKO Digital Specific™ lenses and other Four Thirds System lenses from Sigma, Panasonic and Leica. Olympus OM film-based lenses can be attached to the E-PL1 with the MF-2 OM Lens Adapter, and there are third-party adapters developed for lenses from most other manufacturers.

SOFTWARE AND ACCESSORY OPTIONS WHEN YOU’RE READY

The E-PL1 incorporates an accessory port for connecting the optional VF-2 live-finder, a detachable electronic viewfinder, or the new optional SEMA-1 external microphone adapter set (which includes the EMA-1 adapter, the ME-51S stereo microphone and a cord) for those who want to capture enhanced audio with any microphone that has a 3.5mm plug. These optional accessories easily slide into the camera’s accessory port and hot shoe.

Consumers who wish to hold the E-PL1 up to their eye rather than use the LCD will appreciate that the optional VF-2, which provides 1.15x magnification and a 100 percent field of view with sharp resolution, brightness and contrast. The viewfinder refreshes quickly to minimize image ghosting on fast-moving subjects. It also rotates up to 90 degrees to enable photographers to look down into it, which is useful when shooting subjects from challenging angles. The built-in diopter adjustment and high magnification offer easy viewing with and without glasses.

The E-PL1 offers OLYMPUS [ib] software that includes photography workflow, browsing, editing and unique photo-organizing functions. You can organize your photos by person with automatic face-recognition technology, by location with a Geotagging function or by event. You can easily view photos on an HDTV or on the camera’s LCD with the Photo Surfing or Slideshow functions. The name [ib] stands for image bridging, image browsing and image brightening. The software will be available for Windows operating systems only.

Underwater Housing for Aquatic Adventures
The new camera’s compact design makes it the perfect companion for all of your dive trips. The PT-EP01 underwater case has been specially customized for the Olympus E-PL1 and is waterproof to a depth of 40 meters (approximately 130 feet). With its durable, high-quality polycarbonate construction, this Olympus housing protects the camera from water while also cushioning it from knocks and bumps on land. The housing enables viewing from either the camera’s LCD screen or an optional electronic viewfinder. The flash connectors allow optional use of up to two UFL-2 underwater flash units via fiber optic cable. A nonremovable front lens port accommodates multiple Micro Four Thirds lenses.

New Exterior Design, Same PEN DNA
The E-PL1 streamlines the Olympus Micro Four Thirds PEN series form and is available in three new body colors, including Black, Champagne Gold and Slate Blue. Thanks to its compact size (4.51″ W x 2.84″ H x 1.63″ D excluding protrusions) and light 10.4-ounce body, the E-PL1 won’t weigh you down when you’re on the go.

AVAILABILITY

The Olympus E-PL1 will be available in March 2010. It includes the E-PL1 Body, M. ZUIKO DIGITAL ED 14-42mm f3.5/5.6 Zoom, USB Cable, Video Cable, Li-Ion Battery Pack (BLS-1), Li-Ion Battery Charger (BCS-1), Shoulder Strap, OLYMPUS [ib] software CD-ROM, Manuals and Registration card.

U.S. Pricing / Product Configurations
E-PL1 Body with M. ZUIKO DIGITAL ED 14-42mm f3.5/5.6 Zoom Lens
Estimated Street Price: $599.99

ABOUT OLYMPUS IMAGING AMERICA INC.
Olympus Imaging America Inc. is a precision technology leader, designing and delivering award-winning products for consumer and professional markets.

Olympus Imaging America Inc. works collaboratively with its customers and its ultimate parent company, Olympus Corporation, to develop breakthrough technologies with revolutionary product design and functionality that enhances people’s lives every day. These include:

• Digital Cameras
• Professional Digital SLR Imaging Systems
• Related Underwater Products and Accessories
• Digital and Microcassette Recorders
• Digital Media
• Binoculars

Olympus Imaging America Inc. is responsible for sales in the United States, Canada, Mexico, the Caribbean, and Central and South America. For more information, visit: www.olympusamerica.com.

*Specifications and design are subject to change without any notice or obligation on the part of the manufacturer. All trademarks mentioned herein are the property of their respective holder. ©2010 Olympus Imaging America Inc.

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ImagingInsider.com

Paul C. Buff Australia is now accepting pre-orders for the Einstein 640. Colour temperature consistency and crisp freezing of motion are the signature features promised for the new 640ws monolight, which was unveiled in October 2009 and is slated to ship no sooner than roughly the end of February 2010.